Garageband instrumentals license#
Garageband instrumentals professional#

4) “Drum Pro” Plug-In From Studio Linked.

She tried to teach me the dance steps to a couple of songs. I’m in awe of how easily she picks up these dance steps she’s such a natural dancer (complete opposite of me!). I love watching her dance to this music because she moves with such effortless style and confidence. My daughter is really into K-Pop right now.

Karitas Habundat by Hildegard von Bingen, sung by Zanaida Robles Here’s a recording I did not too long ago of “Karitas Habundat” by 12th century composer and mystic Hildegard von Bingen. I’m also playing around with GarageBand to create new music.

Garageband instrumentals professional#

When I’m not recording vocals for various professional projects, I’ve been singing through my 24 Italian Art Songs and Arias, trying to work on my legato phrasing and vowel alignment. Instrumental Conducting: Introduction to the Orchestra, the Score, and Transposition - by Christopher Gravis, posted June 2020. His video was absolutely inspirational to me, reminding me how amazingly complex our art form can be and how we have a responsibility to put in the work to thoroughly study and fully comprehend the music we conduct, regardless of whether it’s instrumental or choral. Christopher Gravis’s video introduction to instrumental conducting. One of the most delightful things I’ve found was my friend Dr. I’ve also been reading choral music publications and paying attention to the current work of my colleagues in the field of choral music education. Some works I’m hoping to video record myself conducting this fall include “Sanctus” from Requiem by Maurice Duruflé, “Hehlehlooyuh” by James Furman, and my very own composition “Kyrie.”Īs I prepare for this fall, I have been reviewing texts and notes from my doctoral studies at USC. However, I’ve decided to commit to continuing to work on my craft and to use my skills in the service of my ensembles through video. Conducting is such a magical art form to me, and I grieve the loss of the ability to practice my art due to COVID-19. I added a few things to spice it up! Umoja, arranged and sung by Zanaida RoblesĪs I prepare to go back to the “virtual” choir room this fall, I’m working on shoring up my conducting skills. In the meantime, here’s a recent recording I made of my work “ Umoja” for treble voices. Sometimes it takes me a couple days, but I’ll respond as soon as I possibly can.

Garageband instrumentals license#

If you would like to peruse a score or purchase a license for one or more of my works, please use the contact form on my website at. I’ve also had numerous requests for scores from my catalogue of completed works. I’ve had so much inspiration to work on new projects that I can hardly figure out where to begin. I’m working on building the infrastructure that enable us to more effectively fulfill our organizational mission, thereby strengthening and uplifting ourselves so that we may be sustained in the fight against racism alongside our non-Black siblings. calls for presenters and performers at national convention.calls for scholarly papers and articles.solicitation of scholarship applicants.WE NEED EACH OTHER – Here’s who we need to help continue NANMs legacy… WE APPRECIATE EACH OTHER – Here’s who honors and supports NANM’s work… WE SEE EACH OTHER – Here’s who NANM honors for already doing the work… a space for those who identify as members of the African diaspora to be seen and to process shared experience.educational/historical/cultural resources.a platform for cultural engagement and celebration.WE CARE FOR EACH OTHER – Here’s what NANM provides… To all those who seek to promote, preserve, and support all genres of music created or performed by African Americans: To all creators, performers, and educators who identify as Black, African American, Negro, or Colored “With gratitude and reverence for the pioneers who have come before and for those who are with us now with sober focus and determination to carry on the work of honoring and advancing our legacy in the face of all manner of trials and tribulations in our midst: the National Association of Negro Musicians is firmly committed to its mission of promoting, preserving, and supporting all genres of music created or performed by African Americans.” As a member of the national board for the National Association of Negro Musicians (NANM), here is a statement I have crafted about our work: The need for self love and self care is crucial, and working to help uplift and show care toward other Black people is a vital part of this work.